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The Premise of Fidelity: Science, Visuality, and Representing the Real in Nineteenth-Century Japan ePub download

by Maki Fukuoka

  • Author: Maki Fukuoka
  • ISBN: 080477790X
  • ISBN13: 978-0804777902
  • ePub: 1655 kb | FB2: 1626 kb
  • Language: English
  • Category: History & Criticism
  • Publisher: Stanford University Press; 1 edition (August 15, 2012)
  • Pages: 304
  • Rating: 4.8/5
  • Votes: 820
  • Format: rtf docx lit mbr
The Premise of Fidelity: Science, Visuality, and Representing the Real in Nineteenth-Century Japan ePub download

Maki Fukuoka has produced a piece of scholarship that is far-ranging in its scope . The first book of its kind, Gestures of Seeing in Film, Video and Drawing engages broadly with the often too neglected ye. .

Maki Fukuoka has produced a piece of scholarship that is far-ranging in its scope, undertaking as it does to explore the interdependence of the history of ideas, scientific practices, and visual culture (p. 13. Fukuoka successfully argues that the concept of the real in relation to shashin did not resonate in the same manner for members of the Shōhyaku-sha. The first book of its kind, Gestures of Seeing in Film, Video and Drawing engages broadly with the often too neglected yet significant questions of gesture in visual culture.

Request PDF On Aug 15, 2012, Maki Fukuoka and others published The Premise of Fidelity: Science, Visuality, and .

Historic illustrations represent interesting source material for the study of traditional crop varieties that have not been described in the literature or safeguarded in germplasm institutes or botanic gardens.

The Premise of Fidelity puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century transposition of the real in the decades before photography was introduced

The Premise of Fidelity puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century transposition of the real in the decades before photography was introduced. This intellectual history is informed by a careful examination of a network of local scholars-from physicians to farmers to bureaucrats-known as Shōhyaku-sha. In their archival materials, these scholars used the term shashin (which would, years later, come to signify photography in Japanese) in a wide variety of medical, botanical, and pictorial practices.

The Premise of Fidelity book. Goodreads helps you keep track of books you want to read

The Premise of Fidelity book. Goodreads helps you keep track of books you want to read. Start by marking The Premise of Fidelity: Science, Visuality, and Representing the Real in Nineteenth-Century Japan as Want to Read: Want to Read savin. ant to Read.

The Premise of Fidelity puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century transposition of "the real" in the decades before photography was introduced

The Premise of Fidelity puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century transposition of "the real" in the decades before photography was introduced. This intellectual history is informed by a careful examination of a network of local scholars-from physicians to farmers to bureaucrats-known as Shohyaku-sha

This book makes a major contribution to the history of art, science, and medicine in Japan by examining botanical illustration in the nineteenth century. It helps us understand how Japanese scholars at the time explored the relationship between seeing and knowing nature.

This book makes a major contribution to the history of art, science, and medicine in Japan by examining botanical illustration in the nineteenth century. This sophisticated study will be essential reading for historians who wish to go beyond simplistic narratives regarding the introduction of Western art, science, and medicine in Japan.

Read unlimited books and audiobooks on the web, iPad, iPhone and Android. The Premise of Fidelity puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century transposition of "the real" in the decades before photography was introduced.

Join free & follow New Books in Science, Technolo. Maki Fukuoka, The Premise of Fidelity: Science, Visuality, and Representing the Real in 19th-Centur. by New Books in Science, Technolo. There are many optical wonders in Maki Fukuoka& new book The Premise of Fidelity: Science, Visuality, and Representing the Real in 19th-Century Japan (Stanford University Press, 2012), the zograscope not least among them. More from New Books in Science, Technolo. This intellectual history is informed by a careful examination of a network of local scholars-from physicians to farmers to bureaucrats-known as Shohyaku-sha.

Keywords: nineteenth century, century Japan, Maki Fukuoka, VISUALITY, Premise of Fidelity, science.

The Premise of Fidelity puts forward a new history of Japanese visuality through an examination of the discourses and practices surrounding the nineteenth century transposition of "the real" in the decades before photography was introduced. This intellectual history is informed by a careful examination of a network of local scholars―from physicians to farmers to bureaucrats―known as Shōhyaku-sha. In their archival materials, these scholars used the term shashin (which would, years later, come to signify "photography" in Japanese) in a wide variety of medical, botanical, and pictorial practices. These scholars pursued questions of the relationship between what they observed and what they believed they knew, in the process investigating scientific ideas and practices by obsessively naming and classifying, and then rendering through highly accurate illustration, the objects of their study.

This book is an exploration of the process by which the Shōhyaku-sha shaped the concept of shashin. As such, it disrupts the dominant narratives of photography, art, and science in Japan, providing a prehistory of Japanese photography that requires the accepted history of the discipline to be rewritten.

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