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A Traitor's Kiss ePub download

by Neil Belton,Fintan O'Toole

  • Author: Neil Belton,Fintan O'Toole
  • ISBN: 1862070261
  • ISBN13: 978-1862070264
  • ePub: 1957 kb | FB2: 1614 kb
  • Language: English
  • Category: Books
  • Publisher: Granta Books; 1st edition (October 30, 1997)
  • Pages: 512
  • Rating: 4.7/5
  • Votes: 497
  • Format: mobi doc doc mobi
A Traitor's Kiss ePub download

His recent books have focused on the rise, fall and aftermath of Ireland's Celtic Tiger.

A Traitor's Kiss book. A biography of Richard Brinsley Sheridan, the writer of The School.

The death of the Celtic tiger is not an extinction event to trouble naturalists. There was, in fact nothing natural about this tiger, if it ever really existed. The Irish Economic miracle was built on good old-fashioned subsidies (from the European Union) and the simple fact that until the 1980s Ireland was by the standards of the developed world so economically backward that the only way was up. And as it began to catch up to European and American averages, the Irish economy could boast some seemingly remarkable statistics.

Fintan O Toole, columnist and drama critic for the Irish Times, is the author of many other books, including A Traitor s Kiss: The Life of Richard Brinsley Sheridan. His work frequently appears in American magazines. Библиографические данные.

Author: O'Toole, Fintan. Jacket Condition: Very Good jacket. Condition: Used: Very Good. See details and exclusions.

The Life of Richard Brinsley Sheridan, 1751-1816. Byron jokingly reminded Sheridan’s first biographer that Old Sherry was an Irishman and clever fellow, qualities O’Toole never understates in this superbly sympathetic life. Pub Date: Oct. 1st, 1998.

Irish Times journalist, winner 2017 European Press Prize and Or. .Подписчиков: 136 тыс.

Irish Times journalist, winner 2017 European Press Prize and Orwell Prize.

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His books include White Savage, A Traitor’s Kiss, Meanwhile Back at the Ranch and Ship of Fools. PagesPublic FigureAuthorFintan O'TooleAbout.

A Traitor's Kiss by Fintan O’Toole eNotes. com will help you with any book or any question.

A Traitor's Kiss by Fintan O’Toole. In A TRAITOR’S KISS: THE LIFE OF RICHARD BRINSLEY SHERIDAN, 1751-1816, Fintan O’Toole argues that Sheridan was a man full of contradictions brought about from climbing the British social ladder and remaining loyal to his Irish roots: Sheridan was Irish and English, both. Sheridan, whose major plays were all written by the time he was twenty-eight, is primarily remembered for three brilliant comedies of manners: THE RIVALS (1775), THE SCHOOL FOR SCANDAL (1780), and THE CRITIC (1781), similar to Restoration comedies.

A good copy
Beautifully written, fascinating portrait of a complex, inspired, inspiring genius. Sheridan's brilliance as a statesman and an author, as well as his apparently irrisistably powerful personal charm, are explored in this biography. I highly recommend this book!
Richard Brinsley Sheridan's is a story of literar success, political celebrity and intrigue with an extra helping of sex. At one point, Sheridan is trying to reconcile with one lover when he is caught seducing a house maid. Add together an excellent price, good condition and quick delivery, and you have an irresistible combination. Read and enjoy.
Sheridan is remembered today as one of the most brilliant dramatists of the 18th century. What Fintan O'Toole does with this book, while not ignoring Sheridan's considerable literary achievments, is show that there was more to the man than the playwright. In fact Sheridan was one of the most democratic politicians of his day, a political visionary in both Irish and British politics. His reputation as a artist, cemented, almost literally, by his burial in Poets' Corner in Westminster Abbey, was privileged in order to obscure his much more dangerous treasonous (to Britain) and patriotic (to Ireland) political views lest they encourage others.

The book, beautifully written as is typical of O'Toole, has the pace of a political thriller set against the background of the French Revolution, the United Irish rebellion of 1798 and machinations of Westminster at the time. It achieves the remarkable feat of showing the modern relevance of someone from 200 years ago who history has chosen to ignore in favour of much more imperial figures.

Great stuff!
This is a wonderful biography of a fascinating and engaging personality. Sheridan is a fine poet and an honorable politician (a nearly impossible achievement in the eighteenth-century as it is today), a genuine wit, he was also one of the greatest playwrights in the London theater of his day.

Sheridan was a man of fashion and society, but not a fop. He wrote clever, romantic comedies, liked to live on the edge and yet always held fast to his principles -- supporting the American colonists, for instance, in their struggle for independence -- while refusing to be bought at any price.

He lived in grand style from the first moment that he arrived in London (despite having nothing but his wife's dowry), spending all of the money that he made as quickly as he earned it -- sometimes MORE quickly than he earned it. He was passionate about few women but appreciative of the beauty of many, and he was a devoted and caring father. (His poem "If a Daughter You Have" is a small gem.)

When he came home one night to find his theater burning as a result of a fire (probably set by his enemies in parliament), he calmly sat and sipped some wine, explaining to shocked witnesses: "Surely a man can have a glass of wine by his own fire."

Toward the end of his life, although he was burdened by crippling debts, he refused an offer of a large sum of money in compensation for his support offered by the American colonists. He explained that his support had been a matter of principle.

Read this biography and anything by Sheridan himself.
Sheridan (1751-1816) is best known for a few plays, superficially comedies of manners and morals, mainly The Rivals and The School for Scandal. O'Toole's work explores beneath the surface of these and other literary works, showing them as the products of Sheridan's personal and political life.
Widely praised in the English and American press, this biography portrays Sheridan as a passionate (and compassionate) politician. He was a major player in a struggle for various complicated and sometimes seemingly contradictory causes and parliamentary power in the era of the American Revolution, King George III's intermittent madness, the French Revolution, and troubles in the British empire.
Sheridan is shown to be a humanitarian, and, less convincingly, an Irish patriot in the guise of an English politician who happened to be Irish by birth at a time when Ireland was at times openly rebellious toward England. The family heritage in Ireland was actually Protestant, but tolerant of Catholicism to the point of having Jacobite tendencies, i.e. favoring the return of the Stuart monarchy that had ended with James II in the so-called Glorious Revolution of 1688. Sheridan's father, Thomas, was a man of the theatre, and also a scholar, concerned particularly with propriety in matters of language and spoken discourse. Richard was not his father's favorite and his mother, herself a writer, died while Richard was still a young boy.
O'Toole's biography manages to relate the playwright's works to his family circumstances without indulging in psychological speculation. For example, the memorable character Mrs. Malaprop, in The Rivals, (immortalized by our word "malaprop" or "malapropism") is shown to be in part based on Thomas, who had pedantic tendencies. (Malaprops are best when they come from pretenders to perfection in language. An especially good one appeared a few years ago in The Smithsonian magazine when James J. Kilpatrick, a conservative political commentator and sometimes word policeman, referred to a mistake in diction as a "solipsism" instead of a "solecism".)
The many portrayals of hypocrisy and venality in Sheridan's plays are well explained by reference to the politics and society of the period, but are timeless in their effectiveness. The book is most interesting in describing the realities of theatrical performances, whether the particulars are staging details, audience characteristics, or financial exigencies. But this is a political biography of a character whose political accomplishments and enlightened ideals outshine his well known literary works.
Many of Sheridan's Irish contacts and English partisans in the intrigues within England in the years after 1789 were openly sympathetic to, or even allied with the French revolutionaries. Yet Sheridan was during this time a prominent member of the House of Commons and close to the Prince of Wales, later George IV. Some of his personal and political friends were tried as traitors during the peak of Sheridan's political prominence; he survived primarily because of his political acumen, eloquence, and insight.
To the general reader, not well acquainted with the intricacies of English history, the work will nevertheless be interesting and convincing in portraying Sheridan as a politically adroit and ingenious man, even an Enlightenment figure. Sheridan's speeches and writings were well known to the American revolutionaries, and remained popular even after his death. He eloquently advocated religious toleration, freedom from colonial oppression, even feminism, and opposed slavery so effectively as to influence the young Frederick Douglass.
Sheridan's personal flaws (he was a drunk and an adulterer), theatre life in London, political intrigues, the struggle for religious and political freedom in Ireland, and the impeachment trial of Warren Hastings for mismanagement of affairs in British colonial India, all well explained, make this book accessible and interesting. I offer three points of criticism.
First, and most importantly, characters, terms, or events not known to the general reader or history reader, should be explained briefly. The English reader may know what a "rotten" borough was, and what a "pocket" borough was, in the days before parliamentary reform, but a sentence or two would explain this and give the reader a better understanding of the electoral politics involved.
Second, an attempt at a definitive biography, published by a prestigious house such as Farar, should include illustrations. It is frustrating to read descriptions of presumably extant political cartoons of the day, some involving Sheridan's Drury Lane theatre, or major political figures, and not be able to see reproductions-surely the private collection or library would give permission. (In fact, the New York Review of Books included one cartoon in its review of this book.)
Finally, O'Toole's prose is afflicted with some of the unfortunate mannerisms of academic style. He repeatedly uses the awkward, almost always disruptive "former...latter" construction, and equally often uses the term "context" when referring to real relationships or circumstances-the term should be reserved for relationships between words. These usages may be epidemic in doctoral dissertations or in the "scholarly" journals no one reads, but that does not excuse their appearance in a work like this-the author is the drama critic of the New York Daily News. In the age of word processing, surely an editor at Farar should have caught these irritating errors of style, possibly in preparation of the American edition. Then again, a careful editor might have noticed that at the end of the "Preface to the American Edition" the date is incorrectly listed as May 1988.
If this clever and talented author had made his entertaining book more accessible, he would be open to the charge of "popularizing", anathema in academic and some literary circles. But it is a measure of his success in eliciting the nature of Sheridan that one wishes he had done so. After all, the political and religious difficulties in Ireland persist, and one could as well look beyond the Emerald Isle and argue that we too live in an age of comparably flawed, but ultimately noble political actors and causes, in need of better understanding of their human qualities.
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